WELCOME TO OUR BLOG



Dear Friends, Students, Faculty Members and lovers of books,

This is Deb Stevens. I am the administrative director for the American Academy of Bookbinding based out of Telluride, Colorado. This blog was started as a way for all of us, those who have studied at AAB, friends of AAB, as well as those who want to find out more about this place, can keep in touch with each other during the year. I'll be posting all kinds of photos, news and updates as regularly as possible (or newsworthy). I hope you will also share any bookbinding thoughts, questions, revelations, etc. Send me your photos and let us all know what you're up to. Keep connected!



Tuesday, January 26, 2010

NEW DIRECTORS AT AAB


Don Etherington..............Monique Lallier..................Don Glaister



Directorship Changes at American Academy of Bookbinding

As of January 1, 2010, Monique Lallier stepped down as Director of the American Academy of Bookbinding. Monique served as Director from 2005-2009, a
five-year term.

Under Monique’s direction, the Academy grew tremendously. An adjunct campus was added at Hollander’s in Ann Arbor, Michigan in 2005, satellite classes were offered in San Francisco and Boston, and a program for visiting international instructors was created. Student numbers nearly doubled under her leadership, with a record 114 students attending classes in 2009. In 2004, only ten weeks of classes were offered through the Academy, and for 2010, 21 weeks of classes are now offered.

Another major change at the Academy was the addition of a program in the conservation of books, created and added to the AAB curriculum in 2005. AAB’s Conservation Program focuses on the repair and restoration of bindings, complementing the already prestigious Fine Binding program. Diplomas are offered for both courses of study, and since 2004, six students have received diplomas, three in Conservation and three in Fine Binding—ten graduates total.

Monique Lallier brought a high level of professionalism and sophistication to the Academy, and we will miss her leadership. The good news is that she will continue a rigorous teaching schedule at AAB, and she passed the torch to two very accomplished and well-known colleagues: Don Glaister and Don Etherington.

Don Glaister is the new Director of the Fine Binding Program. Don is a book artist now living and working on Vashon Island, Washington, near Seattle. He began his bookbinding career after taking degrees in painting and sculpture from San Jose State College in California, and studying binding privately with Barbara Hiller in San Francisco and Pierre Aufschnieder and Roger Arnoult in Paris. His professional career in design bookbinding, spanning more than thirty years, has centered on the exploration, development and use of unexpected binding materials, visual humor and spontaneous visual expression, while working within the classical framework of the European binding form. Beginning in 2002, Don’s work expanded to include the design and production of editions of artist’s books that include painting, sculpture and poetry that Don has made. Don has taught binding and design privately and as Professor of Book Arts at the University of Alabama. Don’s work appears in major private, public and national collections throughout North America and Europe.

We are absolutely thrilled to have Don Glaister as head of Fine Binding, and we look forward to an expansion of course offerings under his direction.

Don Etherington is the new Director of the Conservation. Don has spearheaded the Conservation Program from its inception, and will now have an official position as Director of the Conservation Program.

Don Etherington brings over 45 years of professional experience to the AAB. Don is nationally and internationally recognized for his innovative design and implementation of state-of-the-art conservation procedures, including phased preservation programs for libraries and institutions. After extensive training in England, he established a four-year program in bookbinding and design at Southampton College of Art and conducted workshops and seminars for colleges, universities and the Guild of Book Workers. President of the Etherington Conservation Center in Greensboro, N.C., Don also holds the position of Fellow in both the American Institute for Conservation and the International Institute for Conservation. Other professional affiliations include the Guild of Book Workers (Past chairman, Standards Committee); Accredited Fellow, Institute of Paper Conservation in England; and member of the American Library Association.

Although we are sad to see the departure of Monique Lallier as Director, we are excited by the energy our two new Directors will bring to their programs. As Monique jokes, “It takes two men to replace one woman!” The American Academy of Bookbinding heads into the next decade with a vision to grow and diversify, with tentative future plans for an international educational excursion and a traveling exhibition of student work.

For more information about AAB’s programs, visit AAB’s website.

Tuesday, January 12, 2010

HAPPY NEW YEAR!


Greetings from Telluride, the land of snow and mountains!

Telluride sits at 8750 feet and we are surrounded by 13,000 ft peaks. We get a significant amount of snow in the winter, which makes for great skiing. We haven't had a banner year yet, but the skiing has been decent. The cross-country skiing has been excellent, and in the above photo, Carl and Judy Ferenbach were visiting and we went out for a little jaunt.

AAB is gearing up for a great year! We have enrollment in almost all of our classes, and some classes are nearing their capacity. Sign up today! Call me if you have any questions about anything.

I will be posting a link to a new financial aid program. We have some additional funds available to needy students, and applicants will need to complete a financial aid application that I'll post a link to soon. Deadlines will be March 1 for the spring schedule. This is great news! More money to bind and repair books!

The AAB staff wishes you all a wonderful year filled with lots of creativity!

Saturday, November 7, 2009

Three Students Graduate at GBW Standards in San Francisco!!!!

AAB Director Monique Lallier presenting the
Fine Binding Diploma to Coleen Curry.

Don Etherington and Monique Lallier in their Halloween costumes.
(Don, where's yours?)

Bob and Karen Hanmer in their matching "Marking Time" outfits.
Very clever!

Graduate Brenda Parsons with Marilyn Mohr and
new graduate Sophia Bogle.

Juror Betsy Palmer Eldridge shows off one of her earlier bindings done when she was 25 years old. Monique, Sophia and Don decide if she would have passed the jury. The verdict: yes!

Don and Monique with the new graduates.

Students Lily Hall, Annette Steele and Ethan Ensign visit the AAB table. We'd hope to see you back in Telluride to continue your studies!

A visit from Evan Ballinger (we want you back in Telluride!)
and Brenda Parsons.

Eleanore Ramsey, Don Glaister and Don Etherington take a
focused look at Coleen Curry's books.


The annual gathering for the Guild of Bookworkers was held in San Francisco over Halloween weekend. Three AAB students presented their Diploma Projects to an esteemed group of jurors for review, and all students passed and were awarded Diplomas at the final banquet on Halloween night. Yeah! This is quite an accomplishment. We have two new graduates in Conservation, Sophia Bogle of Ashland, Oregon, and Ruth M. Strach of North Scituate, Rhode Island. Coleen Curry of Muir Beach, California received a Diploma in Fine Binding.

The jurors for Conservation were J. Frank Mowery, Betsy Palmer Eldridge and Bill Minter. Jurors for Fine Binding were Don Glaister, Eleanore Ramsey and Don Etherington. The jurors were able to meet afterward with the candidates and offer feedback. Many thanks to the jurors for coming early and spending the day reviewing the candidates' work, and to Don Etherington and Monique Lallier for overseeing the juries.

New Oriental Binding a HIT!







Students made incredible bindings with Monique Lallier in her class, New Oriental Bindings. New Oriental Binding is an elegant technique that allows the book to open flat with each page. As Monique describes it: "The beauty of the New Oriental binding is that the book opens flat and no glue touches the sections of the book. The technique is linked to the Japanese style that we all know without the visible sewing. The difference is the preparation of the text block as each section is sewn separately. The covers are also worked on individually and attached to the text block at the end of the process."

Students could use leather, cloth or paper for the covers, and the eight students used a variety of materials for their beautiful books.

Wednesday, October 21, 2009

BOX MAKING OVER....NEW ORIENTAL BINDING HAS BEGUN!


Students in Fine Box Making were very ambitious, making more boxes than we had anticipated. This was the kind of class where some students stayed in the studio late into the night (or even into the wee morning hours...I'm talking about you, John!) The boxes were gorgeous. It is always a treat to see new students, some who had never before made a box or a book, jump in and find a new passion. This is a common theme here at the Academy—book lovers who don't know anything about the art of fine bookmaking get a taste, and they become hooked for life. It's fantastic!








We are now deep into our final week of classes, and our full class of 8 students is going well. When I walk into the studio students are engaged in their work and can barely look up at me...every minute counts in a week-long workshop. New Oriental Binding is a simple yet elegant technique that allows the book to open flat without any glue touching the sections of the book. I don't have any finished photos, but I'll post some at the end of the week. Here are a few shots of students focused on their work.....




Thursday, October 15, 2009

FINE BOX MAKING WITH MONIQUE!







It snowed a little this week, but that didn't deter students in Monique Lallier's Fine Box Making Class. Students started with fundamental box making and learned some of Monique's secret techniques. Some students worked in cloth, and others in leather. Monique finds the Buffalo Skins excellent for boxes.

Tuesday, October 13, 2009

Monique in Ann Arbor and Telluride


Director Monique Lallier is in her fourth week of teaching, having taught for one week in Cheerio, NC, then two weeks in Ann Arbor, and now two weeks in Telluride. What a busy schedule! Her two week class in Ann Arbor, Fundamentals of Bookbinding, was outstanding. Her is a photo of Monique with her students.

This week in Telluride she is teaching Fine Box Making, and next week she'll teach New Oriental Bindings. Talk about diverse! That's our incredible director! Stay tuned for more photos.

OLD STONE BUILDING UNDER CONSTRUCTION




Many of you know that the Old Stone Building is getting a complete remodel. Yeah! The roof was completely taken off and is getting redone, the drywall downstairs was pulled off to expose the stone from 1900, and stairs will be relocated and an accessible bathroom will be put in downstairs. Here are a few photos to see what is happening. The building should be ready by April 1, 2010, just in time for Spring classes.

Buffalo Skins from France


We ordered some beautiful Buffalo Skins from Remy Carriat. Don and students are cutting the skins into quarters. There are lots of colors to choose from, and the skins are excellent quality...very few nicks and dings.

DON GLAISTER: What was the Alternatives Class really about?








Don Glaister's class that ended on Friday, Introduction to Alternative Techniques, was fabulous. It was everything the description said it would be: learning really cool decorative techniques and concentrating on how to implement these techniques into a design binding. Students explored all sorts of neat techniques that Don has developed and perfected. Students were also challenged to think about how to incorporate these new techniques in a design for a leather binding....that was the hard part! I personally think the design part of leather bookbinding is the most interesting, and can be the most creative. I could feel the intense thinking going on in the studio each day, as participants used their imaginations to come up with visual imagines that related their books. Some of the techniques that Don demonstrated were: drawing on leather, using an airbrush, feathered onlay, board forming, leather molding, blind tooling, and different techniques for paring and sanding. They also made some custom brass tools. Enjoy the photos!