Don and students from his fine binding class last week. The weather this fall has been a dream! Warm, sunny days. See what you are missing!!!!

SUZANNE MOORE IN FULL SWING

Suzanne Moore, acclaimed artist extraordinaire, is at AAB teaching "Pigment on Paper." The class of 11 1/2 (the half is me, who observes lectures and will be making paper by the end of the week...I swear!) is the largest class we have had in some time. We are managing extremely well with the new tables, new sinks, etc. Everyone seems happy and comfortable. Since this is only day 2, the experimenting is just taking off. Suzanne has demoed a number of techniques and participants are launching on individual projects with a book in mind. They will be making sheets for their books...paste paper sheets that could be used for the end pages, the covers or the textblock sheets.

I must say before I go any further that I am humbled and in awe of the creative genius of Suzanne Moore. WOW! What imagination, what a creative mind, what a long career filled with amazing calligraphy and books. This is the best part of my job, being able to work with such amazing artists. I am so lucky. I am so lucky to be able to see these artists at work, and to learn from them. I can't say enough about the extraordinary artists that teach here at AAB.

Enough from me. Enjoy the photos from these first two days of class. On Thursday we host an open house for the public to see the work, catch a slide show by Suzanne, and check out the facility. If you are in the area, please stop by between 5:00 and 7:oopm.

Jody from Lakewood, CO

Myssie Light of Houston, TX

Nancy from Rancho Santa Fe, CA

Don and Suzanne (Don left today...boo hoo!)

Anne Marie from Montrose, CO

Suzanne showing a book she hasn't seen in 20 years, a book that she and her husband, Don Glaister, made together. The title is George and the Egyptian, and it is wonderful exerpts from a Mark Twain original manuscript that was never published. It describes the house that he and his wife lived in in Connecticut, and some the characters who were a part of their lives at the time. The images and binding are stunning. I didn't get a chance to read the text, but I'll be able to take a closer look this week. One of Suzanne's collectors (who happens to be in the class) brought it for us to see. Such a treat!

Don's Class Going Well.....Suzanne arrives today

Don Glaister's Intermediate Binding class is in the second week and all is well. Students are very focused on their work and making beautiful books. I'll post some finished book photos on Friday. Here are a few shots from class.....

ANN ARBOR CLASS FANTASTIC!!

Monique Lallier is in Ann Arbor teaching Fundamentals of Bookbinding at Hollander's. According to several students the class is "fantastic!" There are eight students from all over, including Alaska, Hong Kong, Michigan, Wisconsin and Kentucky. Here are a few photos from the class.

FALL CLASSES START

Don Glaister's Intermediate/Advanced Fine Binding class started in Telluride today, and Monique Lallier's Fundamentals of Bookbinding class started in Ann Arbor. There are 15 students total attending the two-week long classes, and they have traveled from all over the country and beyond—two students came from overseas...from England and from Hong Kong! Way to go AAB!!! We continue to attract fantastic students from all over the world.

In Telluride, students were treated to a finished studio...new doors and windows were put in downstairs, and new sidewalks were built as well. The building is truly stunning, as as several local residents have commented, "this is the most beautiful building in Telluride!"

Here are a few photos from Don's class:

Ruth sewing her pages.

Don gives some demonstrations.

Don and his recently completed design binding, The Physiology of Taste.

ANN ARBOR CLASSES A SUCCESS!

AAB held three weeks of classes in Ann Arbor in May and early June. The first week-long class was a combination of two separate classes, "Restoration of Cloth and Leather Bindings," and "Rebacking of Leather Bindings." This was the first time that Don Etherington taught the Rebacking class, which was offered as an elective.

The second set of classes taught were "Forwarding and Covering of Textblocks," and "Finishing I and 2." These are two separate classes that were taught at the same time. Once again, students were thrilled with the skills they learned from master binder/conservator Don Etherington, and told me they had a blast as well. Since my office is based in Telluride, I don't get to see the students and their work first hand, but here are a few photos sent by several of the attendees, and Tom Hollander.

There is still room in all of the Ann Arbor classes this fall in September and October: Fundamentals of Bookbinding with Monique Lallier, Stiff Board and Limp Binding in Vellum, and Account Bookbinding with Springback, both taught by Don Etherington. Contact the Academy for enrollment info, or visit our website.

Don Glaister and Monique Lallier.

Monique Has Arrived!

Monique Lallier is back teaching her intermediate and advanced students. What a joyful, busy, and creative studio we have! We had an open house at the bookbinding studio the first week of class, and over 100 locals came to see what is going on here. We had book models to view, and a few finished books to showcase. Students described what they are working on to interested attendees. We also presented Monique with a thank you gift for her previous years as Director of the Academy. Her class is one more week, finishing up this Friday, June 4th. Monique is offering a slide show and lecture titled "Contemporary Design Bindings," Tuesday June 1 at 6:30pm at the Ah Haa Depot. For those of you in the area, please join us!

Monique demonstrates how to attach her pewter plate to "The Thread That Binds."

Cutting the round edge.

It was like a sale at Filene's Basement the day I offered suedes for $10. The shoppers went crazy!


Monique with Sally Simpson, one of her students who is also a jeweler. Sally made a beautiful pin for Monique as our thank you gift for her five years as Director. Daniel Tucker presented the gift to Monique and made the box the pin came in.

Side Trip to the Waterfall

We took a short walk to the beautiful Coronet Creek Falls, about a 15 minute walk up a trail to the base of the falls. Don and Sialia joined me. The water that comes through the narrow slot freezes as it falls and splashes back up, creating a column of ice behind. There are lots of things to see in your free time when you come to Telluride to study (though most students prefer to stay in the studio working on their books!)

My first head band...English style (or so I'm told.)

FUNDAMENTALS CONTINUED...

It turns out it was too hard to take the class and work at the same time, so I quickly fell behind. I've almost finished my half leather binding, and I've just started on the full leather binding. But, I LOVED THE CLASS! As an artist, my working style is quick and messy, and in fine binding one has to do the opposite: be patient, take care, and work with precision. I can do it if I have to, and in this class I absolutely had to. When I pared my leather to quickly, I ruined several pieces. If I eyeballed something instead of measuring it, my line was crooked. Yes, I had to slow down, and if I really was just taking the class (and trying not to worry about my job) then it was a blast. And the joy I felt when I got something right was fabulous! I do see why so many people study here, and are hooked, and come back year after year. There is something very meditative and intimate in the making of a book.

Here's how the rest of the class progressed: cover the half leather book; glue decorative paper on the covers; make and glue the paste-down; and then attach the end pages. Then repeat everything and make a full leather binding. In between all that, we sanded, pared and sanded some more. Here are a few things I've learned:

One must have a sharp knife and keep it sharp; do not let paste or PVA dry on your brush; don't wet your leather and walk away for any reason, a tide line might form (it did!); measure, then measure again; dividers are really cool little instruments; there are different kinds of bone folders, and a small pointy one is good to have; paring leather is hard to do well; using a scharf-fix takes practice; I need glasses; be patient!

My half leather binding

Don explains how he comes up with a design.

Kirsty with her two books.

Michelle with her half leather binding.

Don applies paste for his full leather cover.

Emily with her books.

FUNDAMENTALS OF BOOKBINDING WITH
DON GLAISTER
Class started Sunday, May 2

Don Glaister, the new director of the Fine Binding Program at the American Academy of Bookbinding, is in Telluride for three weeks teaching Fundamentals of Bookbinding and Gold Tooling.

After 17 years of watching other students bind books, I am attending my first leather binding class. Yeah! So I'm enrolled in the Fundamentals Class that started Sunday. And I must admit, I'm having a blast!

Attending the class will make it easier for me to describe more completely what is being taught. Here we go:

Day 1:
We met Sunday evening to put our textblocks in the press. I'm making a blank sketch book, so I used 2 1/2 sheets of Arches Text and folded pages to roughly 6.5"x6.5". Then we stacked the paper in boards and the pages were set for the night.

Jeanne's textblock all sewn.

Day 2:
We took our textblocks out of the press and put them together. We sewed them, glued them, rounded and backed them, and glued Japanese paper to the spine.

Don sands the top of the book.

Day 3:
We sanded the top edge and made headbands out of leather and a batonnet that we made from mat board. Then we cut our boards to size and covered our textblocks. Then we made a hollow core for the spine and started paring our leather. We are making a half leather book in a case binding for our first book, and some people are doing spine and corners, and some are doing spine and edges in leather. We sanded our boards (chamfording them). Some people finished paring leather and were able to cover their books today as well.

Don demonstrates how to make a headband with a homemade batonnet and a small piece of pared leather.

Don shows us how to sharpen our knives.


Kirsty pares her spine leather.

Don attaches the leather to his book.

"I can't believe I get to do this!!!" - Don Glaister

What has been such a thrill for me is to see the intimate and personal 'artist' side of Don Glaister as he makes his book. Don is actually binding his own book during the class, and demonstrates all of the techniques right on his own book. This is really a treat—to see a master bookbinder experiencing such joy throughout the process. When he sands his board he holds it up to us with a big smile on his face and says, "See? Isn't that just graceful?" He treats his book not just as any old object but as a perfectly beautiful possesion. He says things like, "I can't believe I get to do this!" while applying paste to his leather spine as he prepares to cover. And he's talking about the fact that he gets to make books for a living. He describes books as either looking "clunky" or "like a dream." Yes we are learning to bind books in leather, but we are also experiencing a gifted artist making his art. This is worth all of the money you pay to attend classes here...it is so much more than just learning bookbinding. It is a two-week immersion into the heart and mind of an artist. Wow. It is a gift for me to be able to attend this class.

Roberta Hilbrandt

Roberta Hilbrandt Scholarship Awarded

It has been several weeks since a decision was made in selecting the Roberta Hilbrandt Scholarship recipient. The 2010 Scholarship is being awarded to Kayle Sykes, of Montreal, Canada.

The Roberta Hilbrandt Scholarship is an annual award of $1500 to one student for tuition to attend a two-week class at the American Academy of Bookbinding. This wonderful opportunity was made available by the loving friends and family of Roberta Hilbrandt, an AAB student and supporter who passed away last summer after an illness. Roberta loved AAB, the instructors and the friends she made while studying here. Her beautiful smile lit up the studio, and her joyful laugh will always be remembered. The Roberta Hilbrandt Scholarship fund was created to continue the memory of Roberta, and friends and family donated to the fund so that Roberta’s spirit will live on, and her memory will benefit another enthusiastic student.

There were fifteen enthusiastic applicants for the Scholarship. Bill Hilbrandt, Roberta’s husband, had the difficult but exciting task of selecting the recipient after reading passionate essays by the applicants.

Kayle Sykes began her studies at AAB last fall in Ann Arbor at our Michigan campus. Kayle studied “Fundamentals of Bookbinding” with Monique Lallier, and also studied “Treatment of Textblocks and Sewing,” with Don Etherington. The instructors were impressed with Kayle’s hand skills and enthusiasm, and indicated that she will go far in the fields of fine binding and conservation. Kayle will use her Scholarship to continue in the conservation program, attending the next course in the series, “Forwarding and Covering of Textblocks,” with Don Etherington this spring in Ann Arbor.

AAB also awarded nearly $6,000 in tuition assistance, and $3,000 in housing aid to students this year. This is the first year that AAB has been able to assist students in such a significant way. Thank you to all or our generous donors from our annual membership drive. For more information on these scholarships and financial aid programs, please visit our website: www.ahhaa.org/academy-bookbinding.

Kayle Sykes